Press - 14 August 2022

Barley and De Pledge: Dream team

no alt textno alt text

“Musical relationships are like fine wine and beautiful old cellos,” says acclaimed English cellist Matthew Barley. “They get better with time.” He and New Zealand pianist Stephen de Pledge were introduced by a mutual friend two decades ago, when de Pledge was based in London. Together they’ve performed and toured many times since. “We just clicked,” says de Pledge, on the eve of their ten-concert national tour in August with Chamber Music New Zealand. “We’re great friends, and, musically, we’re both naturally inquisitive and easily bored, so we strive to do interesting stuff.”

Barley is always surprised by how little rehearsal they need when they get together. De Pledge, he says, “has a really good balance between the confident strength of a soloist and the quick sensitive reactions of the chamber musician. It creates a wonderful field for music-making.”

Their New Zealand programme combines beloved popular repertoire for cello and piano with some of that “interesting stuff”. Opening with the gorgeous melodic conversation between cello and piano of Schumann’s Adagio and Allegro Opus 70, the programme has at its heart substantial sonatas by Beethoven and Brahms. “It’s a dream programme to play,” says Barley. “We’ve all had such a tough couple of years, I wanted to make a whole evening of pure reward and pleasure.”

The pair are also keen to entertain their audiences with occasional surprises. Barley describes as “little jewels” the Three Pieces for Cello and Piano composed by Frenchwoman Nadia Boulanger a century ago. “The interplay between the instruments is very clever and the Finale is just helter-skelter.”

Cellist Matthew Barley

“…something theatrical and flamboyant.”

Their programme ends with music Barley and de Pledge first performed many years ago and included on their 2005 album “Reminding”. Looking for a virtuosic work to end a concert, Barley made an arrangement of Shostakovich’s Suite from Cheryomushki. “I wanted some humour, something theatrical and flamboyant that showed off the capabilities of the cello,” he tells me. “It features a medley of very beautiful Russian folk songs, some of which the audience will know from other classical works.It’s great fun to play, but fiendishly difficult!”

“Beethoven & Brahms” with Matthew Barley (cello) and Stephen de Pledge (cello) Auckland, Hamilton, New Plymouth, Napier, Wellington, Nelson, Christchurch, Dunedin, Invercargill & Palmerston North 8 – 22 August 2022 Programme recorded by RNZ Concert for later broadcast. More information here

Elizabeth Kerr

Share:

Other media

View all
News

Artist Spotlight: Q&A with NZTrio cellist Matthias Balzat

Adding a viola and double bass, NZTrio He Taonga Wairere will be creating a quintet in the upcoming tour of NZTrio+ to perform Schubert's ebullient and beloved Trout Quintet. We caught up with NZTrio cellist Matthias Balzat and asked him about touring, what he's most looking forward to in the upcoming NZTrio+ tour, and which artists he'd most like to work with.

News

Artist Spotlight: Q&A with award-winning author Tina Makereti

Ā mua is a groundbreaking new work commissioned by Chamber Music New Zealand for our 2026 season. Incorporating kupu (word), taonga puoro, and orchestral string instruments, it's an exploration of how the past, present and future intertwine and connect. "Ki te Whai Ao, ki Te Ao Marama. Light comes into the world. Matter spirals into being. The history of humanity rolls out—longer and more fascinating and complicated than we can imagine, and you have lived many lives through it, coming into and out of being," writes award-winning author Tina Makereti (Te Ātiawa, Ngāti Tūwharetoa, Ngāti Rangatahi-Matakore, Pākehā), who collaborated with composer and multi-instrumentalist Riki Gooch to create Ā mua. We caught up with Tina and had a chat about writing, her creative process and the experience of working with musicians.

News

Artist Spotlight: Q&A with trumpeter and composer Cameron Pearce

Trumpeter and composer Cameron Pearce draws on colours from composers Aaron Copland, Steve Reich and Gabriel Fauré and trumpeters Kenny Wheeler and Ron Miles for his original works that he'll be touring with Symposium Brass as part of CMNZ's 2026 Season, Te Hiringa Oro - The Experience of sound.

News

Artist Spotlight: a Q&A with composer and multi-instrumentalist Riki Gooch

For our 2026 season, Te Hiringa Oro – The Experience of Sound, we commissioned a work called Ā mua, combining kupu (spoken word), taonga puoro, cello and viola. A collaborative creative endeavour by award-winning author Tina Makereti (Te Ātiawa, Ngāti Tūwharetoa, Ngāti Rangatahi-Matakore, Pākehā) and composer, conductor and multi-instrumentalist Riki Gooch (Ngāti Wai, Patuharakeke, Ngaati Maahanga), it's a unique and intimate journey through time and space, blending Māori futurism and universal human stories in an intimate and evocative performance. We caught up with Riki and asked him a few questions about his creative process and the show.

News

50 Years of Avant-Garde Sound

For half a century, New Zealand’s legendary and most adventurous contemporary chamber music ensemble, From Scratch, have created performances where sound, image, and invention collide.

News

Passing the Torch

In the middle of her daughter Emily’s performance in the Otago District Rounds of the Chamber Music Contest, Philippa Fotheringham’s Garmin watch told her that her heartrate was abnormally high.