This is the place to get the latest news on chamber music in New Zealand, read special features on artists, music and events, and find out what the critics have to say about our most recent concert tours.
by Brenda Harwood, The Star (Dunedin) Old and new rubbed shoulders in an intriguing programme, selected by New Zealand composer Ross Harris for the New Zealand String Quartet as part of Chamber Music NZ's Composer Connections series.
Meet other music enthusiasts, have fun and help out behind the scenes at the Chamber Music Contest! We are looking for enthusiastic volunteers to help at the Auckland District Rounds of our nationwide NZCT Chamber Music Contest. Over 100 ensembles will perform in the event which takes place across five days (Wednesday 3 – Sunday 7 June 2015 at Raye Freedman Performing Arts Centre, Epsom Girls' Grammar). Volunteer today!
The extraordinary skill, flair, and assurance of Britain's acclaimed Brodsky Quartet held a large audience in thrall during Monday night's opening performance of Chamber Music New Zealand's 2015 season.
This was Chamber Music New Zealand’s first concert of the year in Wellington, and it immediately drew attention to the problem of the past couple of years: Can the Michael Fowler Centre be seen as a proper replacement for the Wellington Town Hall in music for small string groups?
The Brodsky Quartet are one of the best in the world. Lead violinist Daniel Rowland talks to Tom Cardy about playing with Elvis Costello and shaking up the classical world by standing up while they play.
Looking to foray into modern classical? Your search is over. Or perhaps your search has just begun. Welcome to Bela Bartók. And moreover, welcome to The Brodsky Quartet playing Bartók. The string to your bow is that it’s also the outstanding String Quartet No. 5. So settle back into the acoustically appropriate but rather makeshift surrounds of the Concert Chamber at Auckland’s Town Hall, and enjoy.
As always the Brodsky Quartet brought something new and alive to the music, bringing out elements and connections which show their commitment to understanding what the composer had going on in their head...
We start the 2015 Kaleidoscopes Concert Season with an ensemble whose approach and ethos to chamber music in education and learning aligns so well with all that CMNZ aims to promote through the Chamber Music Contest. And so in this the Contest's 50th Jubilee year the UK's Brodsky Quartet will tour all ten of our main centres.
US based pianist Nicola Melville has the honour of being the first Chamber Music New Zealand performer in 2015 through our Regional Encompass Concerts. Naturally we wanted to find out some important things about her (and the concerts!) before she takes to the road.
This year chamber musicians and chamber music lovers alike flocked to Nelson once again for ten days across January and February to be part of the Adam Chamber Music Festival. The Chamber Music NZ blog played host...
Chamber Music New Zealand is very pleased to announce that its new Chief Executive is to be Peter Walls, former CE of the New Zealand Symphony Orchestra and currently Pro Chancellor of Victoria University of Wellington.
The 9th annual Pettman/ROSL ARTS Scholarship was awarded on November 16th 2014 at the Gallagher Academy of Performing Arts to the cello quartet Quattro (Catherine Kwak, Jacky Siu, Sam Lucas, Alexander Arai-Swale) from the University of Waikato, Hamilton.
Chamber Music New Zealand is looking for artists/ensembles to tour in 2016. Do you perform to a high professional standard and have exciting concert repertoire to share with audiences? We'd like to hear from you before 15 December 2014.
It was a privilege to be at the final concert of Chamber Music New Zealand's season for the year, and enjoy the Borodin Quartet, one of the world's best; a nice closure, too, for a CMNZ year that has focused on the string quartet.
The Borodin Quartet are a fabled group and an old friend, having toured New Zealand six times since 1965. Formed nearly seventy years ago, they have gone through a number of changes of personnel, yet the playing has the same distinctive qualities.